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The Artistic Re... � Research Fellows � The Research Fellow's projects
Hanna Hilt: Designing Culture
Designing Culture has grown out of the need to identify the role of the designer in a changing museum context. The project wish to promote dialogue between the designer and other museum professionals.
Read more...Annabel Balean Guaita: The Atonal Piano
There has been written a lot about Fartein Valen as a composer and musical analysis of his works do exist. But there has been very little focus on the performance, despite his position as one of our most important modernists. Valens “atonal” musical language can also seem difficult to understand, both for musicians as well as for listeners. In this project Annabel Guaita will do a performative analysis of the piano music by Fartein Valen inspired by the performance practices of The Second Viennese School.
Read more...Sigurd Imsen: The virtuosic Scope of Action.
The case study deals with the production of the Paduan violinist Giuseppe Tartini (1692-1770) and his highly personal and eccentric style of improvisation, which has been thoroughly documented through a substancial number of handwritten manuscripts, contemporary printed editions and Tartini’s own theoretical guidelines.
Read more...Siri Senje: Imagining for the screen, the original screenplay as poiesis
The project IMAGINING FOR THE SCREEN focuses on cinematic fiction writing as an artistic genre. Can certain original works of fiction for the screen be autonomous works of poiesis – or creation – on the same level as, for example, a stage play?
Read more...Sunniva Rødland Wettre: Let the Harp Sound! Promoting and exploring the sound and artistic role of the harp in Norwegian contemporary music
Through this project Sunniwa Rødland WettreI wishes to broaden the position of the harp as a contemporary instrument in Norway. The goal is firstly to initiate artistic explorations of the harp among composers and to contribute to a further development of the artistic range of the instrument. Secondly, the goal is to increase her own and other harpists awareness and knowledge, both when studying contemporary harp-music as well as when communicating the characteristics of the harp to composers.
Read more...Andreas Siqueland: A Place for Painting
A Place for Painting examines the parameters that govern painting as an artistic expression today. The utopian potential of painting as a contemporary practice will be explored through a series of journeys, meetings, interviews and discussions.
Read more...Linda Lien: The collective perception of regional identity in a time of personal branding
In the Research Fellowship project «Regional Identity Design» the target is to find new ways to convey visual regional identity. In collaboration with the municipality Kvam in Hardanger, and with the assistance of its citizens, the idea is to gather elements of identity and publish them on the web, enabling users to find and create identity products.
Read more...Ståle Stein Berg: Skildring og forteljing. Ein grenseoppgang mellom filmens antipoder
Film slik den hovedsakelig presenteres i dag både på kino og fjernsyn er i hovedsak basert på den dramatiske fortellingen. Etter å ha erfart hvor vanskelig det er å formidle erfaringer, iakttakelser og stemninger i denne formen ønsker Berg å skrive et manuskript hvor han prøver å sammensmelte den dramatiske fortellingen med det skildrende, filmiske uttrykket.
Read more...Trygve A. Diesen: Being the Director - Maintaining your Artistic Vision While Swimming with Sharks
How can a film director maintain and nourish a personal, artistic vision in such a collaborative and highly commercial art form? The plan is to document and discuss my own work and role as director during the next three years - on video, in autoethographic fashion, much of it as a video-diary/confessionals/vlog. This will be the core of Being the Director.
Read more...Patrik Entian: Halve Kongeriket – en undersøkelse av visuelle omgivelser gjennom maleri
Patrik Entian er opptatt av hvordan ny mening oppstår når man bruker maleri for å undersøke hvordan verden ser ut. Intensjonen er å utvikle malerier som undersøker spenningen mellom hva vi ser og hva vi tenker.
Read more...HC Gilje: Conversations with spaces
A project using audiovisual tools to transform, create, expand, amplify and interpret physical spaces. Gilje wants to explore and interact with the environment using audiovisual media, to create a poetics of everyday life.
Read more...Marianne Heier: Ex-sentrisk
Prosjektets målsetting er en diskusjon av kunstens muligheter til å fungere som sentralt element og premissleverandør i samfunnet. Jeg baserer arbeidet på min egen kunstneriske erfaring fra de senere årene, samt på en serie nyproduserte intervensjoner i institusjoner i og utenfor kunstfeltet. Gjennom intervensjonene ønsker jeg å belyse og alterere hierarkiske forhold representert og opprettholdt gjennom rommene jeg velger ut.
Read more...Hans Hamid: A Tribute to the Hybrid
The project ”A Tribute to the Hybrid” aims at developing a way of thinking, which is able to map out intercultural experiences. The concept ”intercultural experience” is here understood as experiences made when people have chosen to, or have been forced to move from one cultural and geographic place to another.
Read more...Caroline Slotte: Second Hand Stories
Objects from the private sphere intrigue me. What do remnants of lived lives – photographs, clothes, utilitarian ware – have to say about us humans? What role do the objects in our surroundings play in the creation of continuity in our lives, in the construction of a continuous life story?
Read more...Morten Torgersrud: NORTHERN SITES – the landscape in the Barents region in a post national perspective
The project is a photographic investigation of the landscape of the Barents Region. The project will explore the area with special attention to how landscape and built environment relate to conflicting aspects of history, culture, economy and politics.
Read more...Per Gunnar Tverbakk: Space for Interference
![heier_b[1]](/var/plain/storage/images/media/images/heier_b_1/917-1-nor-NO/heier_b_1_medium.jpg "heier_b[1]")
The project “Space for Interference” functions as an umbrella for three individual art projects. The three artists Matias Faldbakken, Marianne Heier and Tverbakk himself will each execute a separate project. In addition, Tverbakk will serve as curator and producer. This dual role will be explored and discussed as part of the study.
Read more...Geir Davidsen: Beyond Sound Barriers
Geir Davidsen forsker på nye spilleteknikker og klangformer på sitt instrument, eufonium, som kan ligne en tuba. De nye teknikkene og klangene skal kategoriseres og leveres til komponister av samtidsmusikk som han samarbeider med. Komponistene skal bruke nyvinningene i nye verk.
Read more...Michael F. Duch: Free Improvisation - Method and Genre
The aim of this project is to create methods and techniques for Free Improvisation. By studying the origins of what we know as Free Improvisation as a method of music-making in the mid-1960's, and to to see how something which was made as an opposite to style and convention, has not only created a recognizable genre, but also several sub-genres.
Read more...Victoria Johnson: Elektrisk fiolin i det digitale rom
Jeg vil i dette prosjektet forske på å utvide den elektrisk fiolinen ved hjelp av computer, ulike dataprogrammer og sensorteknologi, slik at instrumentet kan styre lyd og video. I dette arbeidet vil jeg bruke programmer som Live og Max/mMSP/Jitter som kan behandle lyd og bilde i sanntid. Til denne forskningen har jeg valgt elektrisk fiolin som har mye til felles med elgitar. Instrumentet har ingen egenlyd, og må forsterkes.
Read more...Sigurd Slåttebrekk: ”The notes must embrace the bars, not the bars the notes” – R. Schumann
Prosjektet er et praktisk-teoretisk rettet studium av innspillinger fra tidlig opptakshistorie, med hovedvekt på de første tiårene av forrige århundre. Overføringsverdien for mitt eget spill står sentralt i arbeidet.
Read more...Natalia Strelchenko: Klaverteknikk og stil i historisk perspektiv
I klaverteknikken fins det grunleggende elementer som har skapt de samme problemstillingene. De går igjen i musikken i de fleste perioder men med ulik vektlegging og løsninger. Disse elementene er; fingersetning og fingerøvelsemetoder, håndens posisjon, akkorder og oktavteknikk, dobbeltnoter, sprangteknikk, og anslag og måten man utfører klang på. Disse sentrale tekniske elementene realiseres på ulike måter avhengig av stedlige tradisjoner og skiftende tiders idealer.
Read more...Andreas Aase: Improvisation in Scandinavian Guitar Tradition
Traditional music, or folk music, shares a common feature all over northern Europe, Scandinavia, the U.S.A. and many other areas: The melody is the main force to be reckoned with. This contrasts sharply with for example jazz music, where the composition is usually treated as a harmonic launchpad for improvising musicians to expand and elaborate. In Norway, modernization of folk music usually takes the route of creating new surroundings for traditional instruments and playing techniques.
Read more...Sara Margrethe Oskal: Sami Trickster traditions and theatrical modes of expressions
In this project I will as an actress research the trickster tradition within the Sami society and transform parts of that into theatrical use. In the Sami community, joik and storytelling have survived as creative art forms. The project intends to research and develop modes of theatrical expressions taking as its basis traditional Sami artistic performing art, focusing in trickster, and transforming that to a modern stage, maybe in combination with other performing arts.
Read more...Tyra Tønnessen: Improvisasjonsteknikk
Jeg oppdaget allerede under studiet ved Statens Teaterhøgskole at det noen ganger oppsto situasjoner der skuespilleren sluttet å tenke med hodet og begynte å ”tenke med kroppen”. Det var åpenbart at skuespilleren hadde kontakt med en underbevissthet som hun ikke selv kunne gjøre rasjonelt rede for.
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